PANASONIC V-LOG / L
Sony FS7 S-LOG 3
These are LUTs for cameras shooting LOG. As a universal set, they're meant to work with LOG footage from various sources, providing a starting point for further grading. These LUTs have been tested with SONY cameras and other LOG shooting cameras and are designed to address color casts that are inherently present in many cameras. They have a heavy bias for skin and soft highlights, and feature what some call my trademark "round skin" look. Mileage may vary with these, but wanted to give those with various cameras options as well.
With these LUTs you can utilize your AWB setting in camera, or the stock options (Daylight, Cloudy, Tungsten, etc.) to nail WB, and feed that out to a monitor for viewing. Think of them as a neutral base with a bit of a look to it.
This isn't an attempt to replicate film, this is my preference for color. I hope you enjoy.
The set includes a handful of base LUTS modeled after the BMFilm x Comet Color LUTS, along with the new Comet Color LOOKS set, for 40USD.
Sony A7SIII S-LOG 2